Looking Into My Skull (2012), By Cole Sager, Montana Spray-paint on Canvas, 12 x 9 inches

[$150]

Last Line of Defense (2012), By Cole Sager, Montana Spray-paint on Canvas, 24 x 18 inches
[SOLD]

Last Line of Defense (2012), By Cole Sager, Montana Spray-paint on Canvas, 24 x 18 inches

[SOLD]

Cranial Exploration (2012), By Cole Sager, Montana Spray-paint on Canvas, 24 x 18 inches
[$200]

Cranial Exploration (2012), By Cole Sager, Montana Spray-paint on Canvas, 24 x 18 inches

[$200]

Tears of a Skull (2012) By Reuben Buchanan, acrylic and spray paint on canvas, 24 x 18 inches
[$425]

Tears of a Skull (2012) By Reuben Buchanan, acrylic and spray paint on canvas, 24 x 18 inches

[$425]

 
Sociobiology of Defense (2012)
By Alta BudenCut paper, 20 x 24 inches

 

Sociobiology is the theory in which the behavior of animals, specifically humans, is explained through its connection to inherited traits advantageous to survival. These traits include: territorial fighting, mating, pack hunting, and the hive societies of social insects.  

The skull is an exemplary structure that has evolved to protect the precious brain; the medium through which all our behavioral traits are expressed. Keeping this in mind, I have depicted a human skull using images of organisms with particularly incredible defense techniques: apex predators, masters of camouflage, or cuteness (pandas would be extinct if not for their cuteness). All of these organisms have evolved physical and behavioral structures parallel to our own: where the hive mentality benefits bees, conformity benefits society. Yet so often the order created by evolution devolves into chaos. Our cerebral defenses (such as the pack mentality or hyper-competiveness) often backfire, leading to the beautiful, sublime, and occasionally terrifying tapestry of human life.[SOLD] 

Sociobiology of Defense (2012)
By Alta Buden
Cut paper, 20 x 24 inches
 
Sociobiology is the theory in which the behavior of animals, specifically humans, is explained through its connection to inherited traits advantageous to survival. These traits include: territorial fighting, mating, pack hunting, and the hive societies of social insects. 
 

The skull is an exemplary structure that has evolved to protect the precious brain; the medium through which all our behavioral traits are expressed. Keeping this in mind, I have depicted a human skull using images of organisms with particularly incredible defense techniques: apex predators, masters of camouflage, or cuteness (pandas would be extinct if not for their cuteness). All of these organisms have evolved physical and behavioral structures parallel to our own: where the hive mentality benefits bees, conformity benefits society. Yet so often the order created by evolution devolves into chaos. Our cerebral defenses (such as the pack mentality or hyper-competiveness) often backfire, leading to the beautiful, sublime, and occasionally terrifying tapestry of human life.

[SOLD] 

Nature’s Helmet: Take One (Saturday, Jan. 28)

We are witnessing the emergence of a new generation, and although seemingly impossible to define at present, I hope that our younger artists may give us a clue about their new identity. 

 

I define our new generation as: post-punk, post-Picasso, post-Pollock, post-Warhol; yet, intrinsically connected with these counter-culture principals.  When some think of a human skull in relation to art, perhaps Damien Hirst’s skull incrusted with diamonds, “For the Love of God,” comes to mind.  A relevant artwork: ironically linking our most important bone structure with our society’s most valuable materials (a symbol of our culture’s dependence on the material), yet the work was sold to a fellow consumer for more than most can comprehend.  Others in this new generation may turn their thoughts of the progression of art to the other side of the spectrum.  The Graffiti artists – seeking the same goal of spreading a message, but freely giving their art away without permission or consent by the establishments which they display their medium.  In either case, it appears evident to me that art has not died; rather, it is ever changing and evolving to adapt to our new generation’s demand for expression.

 

Not all of the artists in this exhibition fall under the category of this new generation; however, their experience and establishment in the art world will give us a point of comparison against the younger class.  Perhaps their model of Nature’s Helmet will be more traditional – perhaps not. 

 

Consistent with the idea that perceptions fluctuate between generations, the show will change and evolve with time and place.  The first show will be up for about a month at Orchard Skateshop (156 Harvard Ave, Allston, Boston, MA 02134), opening on Saturday, January 28th 2012; yet, works will remain for sale until they are shown again at a new venue.  If works get sold at this location, new works may enter the collection, and I will move the show to a new site.  As a result, I hope to witness a pattern of representations between artists of this era that may hint at the development of the new generation’s conception of this ancient symbol – the human skull.

Ship to Paradise - Paradise Found (1983), By Robert S. Neuman, Etching, 30 x 44 1/2 inches, State Proof.  Printed by the artist at Keene State College[$8,000] 

Ship to Paradise - Paradise Found (1983), By Robert S. Neuman, Etching, 30 x 44 1/2 inches, State Proof.  Printed by the artist at Keene State College

[$8,000] 

By J F Adams, Oil on Linen, 12 x 12 inches

[$4,000 each]

(Source: jamiefadams.com)

Carolyn Lee, Untitled (2011), Ink on Paper, 30 1/2 x 22 3/4 inches[SOLD] 

Carolyn Lee, Untitled (2011), Ink on Paper, 30 1/2 x 22 3/4 inches

[SOLD] 

“Couple with a Drawing of a Skull” (2011) By Andrew Stevovich

Pencil Drawing = [$650] 

(Source: http)